David Mellor's RecordProducer.com - From Home Recording Studio to PRO Recording Studio
 
Next article: Conquer clipping, once and for all...

Does your school have a studio? Does it work?

It's exciting for a school to have a music recording studio installed. But getting it working and keeping it working are often two very different things.

Follow RecordProducer.com on Twitter...

It's exciting for a school to have a music recording studio installed. But getting it working and keeping it working are often two very different things.

I remember visiting a place of education a while ago. They had a suite of beautiful studios.

The equipment wasn't new. In fact much of it was around ten years old, which I guess was the date of the original installation. But there's nothing wrong with that. If you can't make great recordings on old equipment (as long as it works) then you can't make great recordings, and you only have your own level of skill to blame.

But I was struck by the condition of the equipment. It was old, but it was beautiful. The place must have had an amazing maintenance engineer.

Or so I thought. It turned out after I enquired further that the place was hardly used. Few staff or students knew how to work it. The maintenance guy did however, and he used the place as his personal audio playground in his spare time.

I have seen enough examples of recording studios in education to see a pattern emerging...

A member of staff in the school develops an enthusiasm for recording. He or she recommends installing a studio, for the benefits of the pupils and students.

The proposal seems exciting. The principal considers how great it will look in the school's prospectus or brochure, and of course on their website.

And installing IT technology ticks so many of the tick-boxes that plague educational institutions these days. It has got to be good.

So a budget is set and a supplier found who will not only deliver the equipment but install it too.

The school's studio enthusiast keeps a close eye on proceedings and the installation goes well.

Following that, there is a period of excitement. The newly crowned Teacher with Special Responsibility for Recording does a great job and the kids have a great time learning how to create and record music.

For a while.

Ultimately the TWSRFR (see above) leaves for whatever reason. Unfortunately, no-one else really knows how to work the studio. Some of the students do, and they use it for a while. But then something breaks. The studio doesn't work. No-one knows how to fix the problem and there is no budget for maintenance.

So the studio is left alone in the dark, gathering cobwebs.

OK, I'll stop the story there. Let's turn around and see what MUST be done to make sure a school recording studio is a success.

Firstly, unless there is at least one member of staff who is passionate about recording, the studio will gather faults and problems and eventually become unusable.

If this member of staff leaves, his or her replacement must have an equivalent passion.

Secondly, educational establishments often suffer from 'initiatives' - a sum of money becomes available, someone decides to grab it for their pet initiative, the project completes successfully and the proposer gains lots of kudos.

Then everything falls apart. It's no good setting up a technology facility without a plan to maintain it. It's no good installing a suite of state-of-the-art computers, for example, without a plan to replace them as they quickly age and become what ought to be museum pieces.

Installing a recording studio in a school or any place of formal education is not a one-off 'initiative'. It is a commitment to have staff that can run and look after the studio, and provide the budget year after year to maintain the studio and develop it into the future.

Otherwise, what once seemed like an exciting project can soon become an expensive white elephant.

Publication date Wednesday February 24, 2010

Bookmark and Share
Next article: Conquer clipping, once and for all...

 

Enter your e-mail address to receive notifications of new comments on this topic...
(You can unsubscribe quickly and easily.)

Follow RecordProducer.com on Twitter...

Discussion on this article's topic...

 

Kyosi, Kampala, Uganda
The biggest problem existing in the music recording world especially in my country is the lack of appropriate studio ,most studios have just computers to do everything in music,and top of that,in my country ,i know of only one incomplete music school ,much is still wanting!!

Monday February 22, 2010

 


UPDATE - Posting of comments has been disabled. RecordProducer.com has been targeted by a botnet posting spam comments. The facility to post comments will return when this problem has been resolved.

We welcome your addition to the discussion on the topic of this article. If you feel that the article is inaccurate in any way, please let us know by e-mail at . We read all messages sent to this address but we cannot promise a reply.

Your name:

Your e-mail address (will not be published):

Your town:

Your country:

Share your comments on this topic...

RecordProducer.com reserves the right to select readers' comments for publication.


Jamhub is a totally new concept - a rehearsal amp for the whole band. RecordProducer.com asks inventor Steve Skillings all about Jamhub - what it does, where the idea came from, and why you should want one. (There's a prize too!) Read more...
It's tricky to find a good place to set up a studio. If you live in an apartment, then unless you live in a very old building with really thick walls, you might as well forget it, or just record the electronic components of your music at home, monitoring on headphones... Read more...
A RecordProducer.com visitor asks whether a good analog-to-digital converter is necessary. Or will any old converter do? Read more...
You don't need years of music theory training to write for an orchestra. If the sounds are in your head, technology can get them out. Read more...
An RP reader successfully lands an internship in a major recording studio. But the kind of work he is asked to do isn't quite what he expected... Read more...
Early mixing consoles had quadrant faders instead of the linear faders of today. Do they just look pleasantly retro, or do they have advantages we have now lost? Read more...
Try close-miking a flute or any other woodwind instrument and you will pick up a whole load of key clicking. What can you do? How much is too much? Read more...
A reader asks whether it is allowable to pan low frequency instruments. If not, what would the possible penalty be? Read more...
The world-famous Abbey Road studio complex has been in the news lately. But not here. We'd rather record there than spread more tittle-tattle. Read more...
Do music business lawyers always know what they are doing? Or could they ask you to sign a contract that would not stand up in court? Read more...
The range of great home recording equipment available these days is truly superb. But occasionally we all buy something that just wasn't worth the money. What's your experience? Read more...
This YouTube video has a slight problem with the sound - the gain is set far too high and the sound is horribly clipped. Read more...
Sometimes the sound of the electric guitar doesn't quite cut it. But there are ways you can make the guitar sound like more than it is. Much more... Read more...
For performance, the soloists stand in front of the choir. But for recording, perhaps they should stand behind. Here's why... Read more...
Do you still use DAT? CD recorders? Outboard effects units? Come on and admit it - you're a dinosaur! Read more...
The food you eat is mostly factory farmed - grown in chemicals manufactured in a chemical works. But is your music 'factory farmed' too, and does it sound like it? Read more...
While the iPad might be something less than a computer, it is definitely something more than many of the other computer-like devices in our lives. Read more...
An RP reader asks whether he can record on his workstation and then export tracks to his computer for editing and mixing. Why would he want to do that...? Read more...
The artist known as Prince is giving away his new CD. You can't buy it in the shops, you can't buy it online. So in which universe does this make commercial sense? Read more...
Copyright might be good for a few rich musicians, but is it good for music? In this video, we see how not having copyright might actually be the best thing for music perhaps since notes were invented. Read more...
You Could Be Making PRO Recordings In Your Home Recording Studio...
The Audio Masterclass Music Production and Sound Engineering Course
Music Production and Sound Engineering Online Course. Turn your home recordings into PRO recordings in just 12 weeks.
Sign up now for the FREE COURSE TOUR!

We will not disclose your personal information. You can unsubscribe quickly and easily at any time.

The Joe Clancy Drum Recordings at Abbey Road Studio 3
The Joe Clancy Drum Recordings at Abbey Road Studio 3
See and hear five important drum recording microphone configurations at Abbey Road Studio 3. Includes 'Studio Master' audio files and a video of the entire session. Includes the famous 'Glyn Johns' 4-mic technique - not to be missed. The Joe Clancy Drum Recordings at Abbey Road Studio 3
The Niccie Simpson Microphone Test at Abbey Road Studio 2
The Niccie Simpson Microphone Test at Abbey Road Studio 2
Hear ten PRO microphones on male vocal, recorded in studio master quality at Abbey Road Studio 2. The tests include the ultra-classic RCA 44BX 'Elvis' ribbon mic, the equally classic AKG C12 vintage tube, plus eight other mics you NEED to know. PLUS video recordings of all of the tests in this Multimedia Set™. Mic list: ADK Hamburg, AEA A440, Audio Technica AT4050, Bruel & Kjaer (DPA) 4011, Neumann U47, sE Electronics 4400a, sE Electronics Gemini II, STC (Coles) 4038, Violet Design Amethyst, Violet Design Globe. The Niccie Simpson Microphone Test at Abbey Road Studio 2
The Nicola Dines Microphone and Preamplifier Test at Abbey Road Studio 2
The Nicola Dines Microphone and Preamplifier Test at Abbey Road Studio 2
Three amazing microphones and two amazing preamplifiers tested at Abbey Road Studio 2. This Multimedia Set™ includes the original Studio Master recordings, 48 kHz and AAC versions for easier downloading, videos in both high and medium resolution, and session notes. You will see and hear clearly the differences between the three microphones and two preamplifiers. Also, each preamplifer is demonstrated in two settings, giving further examples of how they can sound. The Nicola Dines Microphone and Preamplifier Test at Abbey Road Studio 2
The Guy Barzily Microphone Test at Abbey Road Studio 2
The Guy Barzily Microphone Test at Abbey Road Studio 2
Hear ten PRO microphones on male vocal, recorded in studio master quality at Abbey Road Studio 2. The tests include the ultra-classic RCA 44BX 'Elvis' ribbon mic, the equally classic AKG C12 vintage tube, plus eight other mics you NEED to know. PLUS video recordings of all of the tests in this Multimedia Set™. Mic list: AEA A440, AEA R84, AKG C12, Beyerdynamic M160, Blue Baby Bottle, Bruel & Kjaer (DPA) 4011, Neumann U47, RCA 44BX, STC (Coles) 4038, Violet Design Flamingo The Guy Barzily Microphone Test at Abbey Road Studio 2
Talking to Rupert Neve - the Father of Mixing Console Design
Talking to Rupert Neve - the Father of Mixing Console Design
Rupert Neve, the best-known mixing console designer in the world, shares his knowledge and insights in this vintage interview from his heyday in 1987. Talking to Rupert Neve - the Father of Mixing Console Design
The Delon Brooks Microphone Test at Abbey Road Studio 2
The Delon Brooks Microphone Test at Abbey Road Studio 2
Hear ten PRO microphones on male vocal, recorded in studio master quality at Abbey Road Studio 2. The tests include the $6000 AEA A440 ribbon mic, the twin-tube sE Electronics Gemini II, plus eight other mics you NEED to know. PLUS video recordings of all of the tests in this Multimedia Set™. Mic list: ADK Vienna, AEA A440, Audio Technica AT4050, Bruel & Kjaer (DPA) 4011, STC (Coles) 4038, Neumann U47, Rode NT1A, sE Electronics Gemini II, sE Electronics Z5600a Mk II, Violet Design Amethyst. The Delon Brooks Microphone Test at Abbey Road Studio 2
The Steve Lyon Record Producer Interview Video
The Steve Lyon Record Producer Interview Video
Steve Lyon's productions have sold in their millions. He has more than twenty years' experience in recording and production. He learned from legendary producer Glyn Johns. Now, in this 60-minute video interview, Steve Lyon reveals his production secrets. The Steve Lyon Record Producer Interview Video
The Hidden Compressor
The Hidden Compressor
"The Hidden Compressor" is an advanced e-learning text, so you need to know all the basics of compression already. "The Hidden Compressor" covers advanced techniques that have not been seen explained by anyone else in print or on the web. If you want to get more out of your compressor, you'll find you didn't know that the compressor you have already could do so much. "The Hidden Compressor" includes information on recommended compressors at all price levels, from home studio to pro. The Hidden Compressor
Focusrite Liquid 4PRE All Emulations Tested
Focusrite Liquid 4PRE All Emulations Tested
The Focusrite Liquid 4PRE is a modeling microphone preamplifier. This audio and video Multimedia Set™ tests all 41 emulations. Original session recorded in Abbey Road Studio 3. Focusrite Liquid 4PRE All Emulations Tested
Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
The Neumann U87 is the world's most popular microphone - certainly the most desired. Find out exactly what it's like to get your hands on one and use it to its full potential in Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
Four Exotic Microphones on Acoustic Guitar
Four Exotic Microphones on Acoustic Guitar
Three tube mics, one ribbon mic compared on acoustic guitar. From the super-low-cost CAD M9 and Golden Age Project TC1 all the way up to the mega-expensive Telefunken ELA M12F. These tests show, in audio and video, exactly how these mics sound on a Martin OM-21 acoustic guitar in a variety of positions. Instantly downloadable. Four Exotic Microphones on Acoustic Guitar
The Charlotte Roel Microphone Test at Abbey Road Studio 3
The Charlotte Roel Microphone Test at Abbey Road Studio 3
Hear nine classic and modern microphones on female vocal, recorded in studio master quality at Abbey Road Studio 3. The tests include classic tube Neumann U47 and AKG C12 mics, plus five other amazing mics you NEED to know (some costing as little as $300!). PLUS video recordings of all of the tests. The Charlotte Roel Microphone Test at Abbey Road Studio 3
Pro Engineer School Vol. 2
Pro Engineer School Vol. 2
Take your engineering to the next stage. Learn how to operate the mighty SSL SL9000 J-Series mixing console. Learn about dynamics, effects, mixing and more. Vol. 2. Pro Engineer School Vol. 2
The Insider's Guide to Working in a Pro Recording Studio
The Insider's Guide to Working in a Pro Recording Studio
Have you ever wondered what it's like to work in a PRO recording studio? Now you can find out what it's like to start at the bottom, and work your way up to Recording Engineer and Producer. Don't you wish you could do that? The Insider's Guide to Working in a Pro Recording Studio
The Anna Neale Microphone Preamplifier Test at Abbey Road Studio 3
The Anna Neale Microphone Preamplifier Test at Abbey Road Studio 3
Hear five amazing mic preamps on female vocal, recorded in studio master quality at Abbey Road Studio 3. The tests include the Avalon M5 (Wow!), Universal Audio vacuum tube Solo/610 and the $50 Behringer MIC100. Can you hear the difference? PLUS video recordings of all of the tests. The Anna Neale Microphone Preamplifier Test at Abbey Road Studio 3