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Producer Fran Ashcroft: How many tracks are enough?

One of the most enduring myths in recording has been the endless quest for more and more tracks, which grew exponentially from the real need to overdub in the 60's. Prior to 4 track, overdubs were made by compiling sounds from one machine to another - with a generation loss of sonics every time... Read more...

Glyn Johns is one of the UK’s most respected producers and engineers and has successfully made his mark on the recording of drums, which is arguably the most difficult task in all sound engineering.

Do you suffer from dull, lifeless sound? Do you wish you could have just that little extra sparkle? With the right preparation, you can!

Recording a clean acoustic guitar sound at home isn't always easy. But there are things you can do to put the 'wow' into your recordings...

The food you eat is mostly factory farmed - grown in chemicals manufactured in a chemical works. But is your music 'factory farmed' too, and does it sound like it?

Still struggling to get a good sound in your home recording studio? Perhaps a visit to a pro studio would fix all your problems.

It is probably the most common ambition in music. But many people want to become a record producer without really understanding what it means. Here's the primer...

For performance, the soloists stand in front of the choir. But for recording, perhaps they should stand behind. Here's why...

You'll never get a good recording of a drum set if the cymbals sound bad. But how you be sure to get a perfect cymbal sound every time?

An RP visitor asks how he would record a symphony orchestra. Does it need sixty microphones? Or could you do it with two?

A reader asks whether it is allowable to pan low frequency instruments. If not, what would the possible penalty be?

Record Producer Steve Lyon gives a taste of what it is like to work with Glyn Johns's simple drum miking techniques and explains why metal sheets were once brought into the studio.

In the triangle of lyricist-composer-producer, various copyrights are generated on which royalties are payable. But who gets the lion's share?

Sometimes the sound of the electric guitar doesn't quite cut it. But there are ways you can make the guitar sound like more than it is. Much more...

Try close-miking a flute or any other woodwind instrument and you will pick up a whole load of key clicking. What can you do? How much is too much?

Are there a hundred different ways to record the snare drum? The answer is 'Yes!', and you need to understand them all...

You've got your recordings in hand, you've done your networking and have finally made contact with that one industry professional that can help you launch your career... then here it comes, "I need you to send me your multitrack files so I can remix it." Now what do you do to make that happen?

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Music Technology School
Music Technology School
Music Technology equipment is complex and puzzling. But not if you understand foundation knowledge such as Additive Synthesis, Subtractive Synthesis, FM Synthesis, MIDI, Sampling and Sequencing. Music Technology School
The Nicola Dines Microphone and Preamplifier Test at Abbey Road Studio 2
The Nicola Dines Microphone and Preamplifier Test at Abbey Road Studio 2
Three amazing microphones and two amazing preamplifiers tested at Abbey Road Studio 2. This Multimedia Set™ includes the original Studio Master recordings, 48 kHz and AAC versions for easier downloading, videos in both high and medium resolution, and session notes. You will see and hear clearly the differences between the three microphones and two preamplifiers. Also, each preamplifer is demonstrated in two settings, giving further examples of how they can sound. The Nicola Dines Microphone and Preamplifier Test at Abbey Road Studio 2
The Insider's Guide to Working in a Pro Recording Studio
The Insider's Guide to Working in a Pro Recording Studio
Have you ever wondered what it's like to work in a PRO recording studio? Now you can find out what it's like to start at the bottom, and work your way up to Recording Engineer and Producer. Don't you wish you could do that? The Insider's Guide to Working in a Pro Recording Studio
Using Headset Microphones On Stage
Using Headset Microphones On Stage
You don't have to use a stand-mounted microphone on stage. You can enjoy the freedom of a headset mic and get really great contact with the audience. Learn the advantages, and the potential problems, here. Using Headset Microphones On Stage
The Craig Neil Microphone Test at Abbey Road Studio 2
The Craig Neil Microphone Test at Abbey Road Studio 2
Ten great microphones tested in this audio and video Multimedia Set. Includes the AEA A440 active ribbon microphone, AEA R84 ribbon, STC (Coles) 4038 ribbon, RCA 44-BX vintage ribbon, Beyerdynamic M160 ribbon, Neumann U47 vintage tube, AKG C12 vintage tube, Bruel & Kjaer 4011 capacitor, Blue Baby Bottle capacitor, Violet Design Flamingo vacuum tube. The Craig Neil Microphone Test at Abbey Road Studio 2
The Steve Lyon Record Producer Interview Video
The Steve Lyon Record Producer Interview Video
Steve Lyon's productions have sold in their millions. He has more than twenty years' experience in recording and production. He learned from legendary producer Glyn Johns. Now, in this 60-minute video interview, Steve Lyon reveals his production secrets. The Steve Lyon Record Producer Interview Video
The Niccie Simpson Microphone Test at Abbey Road Studio 2
The Niccie Simpson Microphone Test at Abbey Road Studio 2
Hear ten PRO microphones on male vocal, recorded in studio master quality at Abbey Road Studio 2. The tests include the ultra-classic RCA 44BX 'Elvis' ribbon mic, the equally classic AKG C12 vintage tube, plus eight other mics you NEED to know. PLUS video recordings of all of the tests in this Multimedia Set™. Mic list: ADK Hamburg, AEA A440, Audio Technica AT4050, Bruel & Kjaer (DPA) 4011, Neumann U47, sE Electronics 4400a, sE Electronics Gemini II, STC (Coles) 4038, Violet Design Amethyst, Violet Design Globe. The Niccie Simpson Microphone Test at Abbey Road Studio 2
An Introduction to Compression: Basic Compression
An Introduction to Compression: Basic Compression
"An Introduction to Compression: Basic Compression" shows you the science, technology and art of compression. From threshold through ratio to make-up gain, "An Introduction to Compression: Basic Compression" explains all of the foundation knowledge you need to know. Covers all the basic compressor controls, and compression techniques for dynamic range control and musical enhancement. If you don't know the material covered by "An Introduction to Compression: Basic Compression" then you simply don't know compression. An Introduction to Compression: Basic Compression
Acoustic Guitar Recording Techniques
Acoustic Guitar Recording Techniques
Thirteen microphone positions in mono and stereo clearly demonstrated on two acoustic guitars in 'Studio Master Quality' audio, together with downloadable videos of the entire session, recorded in Abbey Road Studio 3. See and hear for yourself classic acoustic guitar microphone techniques and positions - select the combination that YOU like best for your next acoustic guitar recording project. Acoustic Guitar Recording Techniques
Piano Recording Techniques
Piano Recording Techniques
Seven grand piano recording techniques and eighteen microphone positions clearly demonstrated in 'Studio Master Quality' audio, together with downloadable videos of the entire session, recorded in Abbey Road Studio 3. See and hear for yourself classic piano microphone techniques and positions - select the combination that YOU like best for your next piano recording project. Piano Recording Techniques
The Joe Clancy Drum Recordings at Abbey Road Studio 3
The Joe Clancy Drum Recordings at Abbey Road Studio 3
See and hear five important drum recording microphone configurations at Abbey Road Studio 3. Includes 'Studio Master' audio files and a video of the entire session. Includes the famous 'Glyn Johns' 4-mic technique - not to be missed. The Joe Clancy Drum Recordings at Abbey Road Studio 3
Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
The Neumann U87 is the world's most popular microphone - certainly the most desired. Find out exactly what it's like to get your hands on one and use it to its full potential in Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
Electric Guitar Recording Techniques
Electric Guitar Recording Techniques
Hear and see electric guitar recording techniques in this AUDIO and VIDEO Multimedia Set™. Recorded in Abbey Road Studio 3, this Multimedia Set™ features eleven techniques that you can experience in video, or load into your digital audio workstation and mix yourself. Electric Guitar Recording Techniques
Four Exotic Microphones on Acoustic Guitar
Four Exotic Microphones on Acoustic Guitar
Three tube mics, one ribbon mic compared on acoustic guitar. From the super-low-cost CAD M9 and Golden Age Project TC1 all the way up to the mega-expensive Telefunken ELA M12F. These tests show, in audio and video, exactly how these mics sound on a Martin OM-21 acoustic guitar in a variety of positions. Instantly downloadable. Four Exotic Microphones on Acoustic Guitar
Pro Engineer School Vol. 1
Pro Engineer School Vol. 1
The renowned Audio Masterclass Sound Engineering and Music Recording course in two e-books. Learn audio to professional standards. Maximize your chances in your studio job interview. Vol. 1 Pro Engineer School Vol. 1