David Mellor's RecordProducer.com - From Home Recording Studio to PRO Recording Studio
 
Next article: What is FLAC? Is it more than a waste of FLACCING time?...

"My microphone sounds like a fried breakfast. What can I do?"

If your microphone sizzles like a frying pan full of eggs, bacon and sausages, clearly there is a problem to be solved.

Follow RecordProducer.com on Twitter...

Mmmmm... eggs, bacon, sausages, tomatoes, bread and maybe some black pudding, all sizzling away in a pool of molten lard in a much-used and deeply patinated frying pan.

That's what we call a 'full English breakfast' over here, and we have it nice and early every morning ;-)

But sometimes microphones make the same sound, and that isn't so appetizing.

So why do microphones sometimes sizzle, and what can be done about it?

The usual suspects in this case are capacitor microphones.

What is likely to make them sizzle is condensation.

If you have taken your mics out of the studio, on a location recording for instance, and they have chilled in the trunk of the car on the way back, then condensation will form on the diaphragm when you bring them out again into the warm.

This can cause an irritating sizzling noise (electrically, not acoustically of course) that should go away after a while. Some mics are more prone to this than others.

It would be worth considering whether this can do any permanent damage. But some of my own mics are decades old and they have been in and out of the studio in all weather conditions without apparent effect.

A microphone repair specialist might be able to give us more detail on this, but if I had an expensive vintage mic, I would probably be more considerate about how I use it.

If a microphone sizzles under any other conditions, then it has a fault and needs to be repaired.

Of course, you might see the sizzle as an element of audio texture to be exploited towards your musical ends.

What do you think?

Should mics be given the cotton-wool treatment, or are they just tools to do a job and you will replace them when they are worn out?

Discussion below...

Publication date Friday February 19, 2010

Bookmark and Share
Next article: What is FLAC? Is it more than a waste of FLACCING time?...

 

Enter your e-mail address to receive notifications of new comments on this topic...
(You can unsubscribe quickly and easily.)

Follow RecordProducer.com on Twitter...

Discussion on this article's topic...

 

Yoken Www.lautstumm.com, Reutlingen, Germany
Microphones should always be treated with care, not only because they are expensive but also because there is nothing like going to a field recording or live gig and having fall outs on the microphones (not very fun). I once "lost" a ribbon microphone because I was stupid enough to load it in the truck the night before a gig (in a cold german winter). It was never the same :(. A little trick I like (in the winter) is to put the microphones in a good case and throw in a so called pocket warmer this way the microphones stay nice and warm and can be used right away on locatin.

Friday April 16, 2010

Rimati, Rio De Janeiro, Brazil
I'm just entering. I couldn't have a position now.
Let's leave the boat goes non.
Thanks

Tuesday February 16, 2010

 


UPDATE - Posting of comments has been disabled. RecordProducer.com has been targeted by a botnet posting spam comments. The facility to post comments will return when this problem has been resolved.

We welcome your addition to the discussion on the topic of this article. If you feel that the article is inaccurate in any way, please let us know by e-mail at . We read all messages sent to this address but we cannot promise a reply.

Your name:

Your e-mail address (will not be published):

Your town:

Your country:

Share your comments on this topic...

RecordProducer.com reserves the right to select readers' comments for publication.


Mike Leader of Leader Cinema systems, manufacturers of world class large-scale systems for both music industry and motion picture industry professionals, tells you more about subwoofers than you thought you could possibly want to know... Read more...
While the iPad might be something less than a computer, it is definitely something more than many of the other computer-like devices in our lives. Read more...
This is a tricky concept to explain and understand. But once you do understand it you'll feel an awful lot better. In fact, you'll probably feel so good you will consider yourself one of the 'elite' of sound engineering and look down upon lesser mortals who do not understand it... Read more...
You are running tons of plug-ins and your computer is running out of steam. How can you lighten the load AND use as many plug-ins as you like? Read more...
It was supposed to be a magical and revolutionary device. But now that it's here, it is plain that it really isn't anything special at all. Read more...
Do your recordings have warmth? Yes? But does the amount of warmth vary with the signal level? Wouldn't you like it to be more consistent... Read more...
Chopping up beats from pre-existing drum loops has long been a standard part of the production process. But can you be a Beat Slicer for a living? Read more...
Ah, that mysterious Q control in your EQ. Does it actually do anything? Read more...
In the triangle of lyricist-composer-producer, various copyrights are generated on which royalties are payable. But who gets the lion's share? Read more...
It is probably the most common ambition in music. But many people want to become a record producer without really understanding what it means. Here's the primer... Read more...
An RP reader asks whether freezing tracks that use plug-ins is bad for your hard disk? Would it be better to bounce them? Read more...
Jones For Tones is a Vancouver based music production company with a focus on songwriting, owned and operated by session bassist/recording artist Tony Marriott. Read more...
A RecordProducer.com visitor asks whether a good analog-to-digital converter is necessary. Or will any old converter do? Read more...
Record Producer Steve Lyon gives a taste of what it is like to work with Glyn Johns's simple drum miking techniques and explains why metal sheets were once brought into the studio. Read more...
Why do we still plug our microphones into old-fashioned mic preamplifiers when we could be plugging them in directly via USB? Read more...
In contrast to my recent article where I said that choice of microphone often doesn't matter, there are times where selecting the right microphone can make an enormous difference to your sound. Read more...
Apple's launch of the iPad has created a whole new segment in computing. Should musicians rejoice? Or be very afraid? Read more...
Everyone should build a loudspeaker at least once in their life. But for this would-be loudspeaker builder, their first attempt was something of a disaster... Read more...
We're all for cutting costs where it doesn't compromise performance, but can office dividers do a good job in the recording studio? Read more...
Jamhub is a totally new concept - a rehearsal amp for the whole band. RecordProducer.com asks inventor Steve Skillings all about Jamhub - what it does, where the idea came from, and why you should want one. (There's a prize too!) Read more...
You Could Be Making PRO Recordings In Your Home Recording Studio...
The Audio Masterclass Music Production and Sound Engineering Course
Music Production and Sound Engineering Online Course. Turn your home recordings into PRO recordings in just 12 weeks.
Sign up now for the FREE COURSE TOUR!

We will not disclose your personal information. You can unsubscribe quickly and easily at any time.

Acoustic Guitar Recording Techniques
Acoustic Guitar Recording Techniques
Thirteen microphone positions in mono and stereo clearly demonstrated on two acoustic guitars in 'Studio Master Quality' audio, together with downloadable videos of the entire session, recorded in Abbey Road Studio 3. See and hear for yourself classic acoustic guitar microphone techniques and positions - select the combination that YOU like best for your next acoustic guitar recording project. Acoustic Guitar Recording Techniques
Using Headset Microphones On Stage
Using Headset Microphones On Stage
You don't have to use a stand-mounted microphone on stage. You can enjoy the freedom of a headset mic and get really great contact with the audience. Learn the advantages, and the potential problems, here. Using Headset Microphones On Stage
Piano Recording Techniques
Piano Recording Techniques
Seven grand piano recording techniques and eighteen microphone positions clearly demonstrated in 'Studio Master Quality' audio, together with downloadable videos of the entire session, recorded in Abbey Road Studio 3. See and hear for yourself classic piano microphone techniques and positions - select the combination that YOU like best for your next piano recording project. Piano Recording Techniques
How To Have Effective Rehearsals
How To Have Effective Rehearsals
If you want your band to be successful, you need to rehearse hard, and rehearse effectively. How To Have Effective Rehearsals shows you how to get the most out of every minute in the rehearsal studio. Follow these guidelines and in weeks your band will be 100 times as good as it is now. How To Have Effective Rehearsals
The Chilli Gold Microphone Test at Abbey Road Studio 3
The Chilli Gold Microphone Test at Abbey Road Studio 3
Hear nine classic microphones on female vocal, recorded in studio master quality at Abbey Road Studio 3. The tests include TWO classic tube Neumann U47 and TWO classic tube AKG C12 mics, plus five other mics you NEED to know. PLUS video recordings of all of the tests. The Chilli Gold Microphone Test at Abbey Road Studio 3
Pro Engineer School Vol. 1
Pro Engineer School Vol. 1
The renowned Audio Masterclass Sound Engineering and Music Recording course in two e-books. Learn audio to professional standards. Maximize your chances in your studio job interview. Vol. 1 Pro Engineer School Vol. 1
Music Technology School
Music Technology School
Music Technology equipment is complex and puzzling. But not if you understand foundation knowledge such as Additive Synthesis, Subtractive Synthesis, FM Synthesis, MIDI, Sampling and Sequencing. Music Technology School
Pro Engineer School Vol. 2
Pro Engineer School Vol. 2
Take your engineering to the next stage. Learn how to operate the mighty SSL SL9000 J-Series mixing console. Learn about dynamics, effects, mixing and more. Vol. 2. Pro Engineer School Vol. 2
Understanding Audio Specifications
Understanding Audio Specifications
Baffled by audio specifications? Frequency response, signal-to-noise, distortion - what does it all mean? Do manufacturers always tell the whole truth about their products? And how can you tell from the specifications which equipment is best? Find the answers here in Understanding Audio Specifications! Understanding Audio Specifications
The Clyde Meredith Microphone Test at Abbey Road Studio 2
The Clyde Meredith Microphone Test at Abbey Road Studio 2
Hear ten PRO microphones on male vocal, recorded in studio master quality at Abbey Road Studio 2. The tests include the classic tube Neumann U47, the equally classic STC (Coles) 4038, plus eight other mics you NEED to know. PLUS video recordings of all of the tests in this Multimedia Set™. The Clyde Meredith Microphone Test at Abbey Road Studio 2
Four Classic Compressors Compared on Female Vocal
Four Classic Compressors Compared on Female Vocal
The Fairchild 660, Neve 33609, Teletronix LA-2A and the Universal Audio 1176 - reputedly the best compressors in the world. Hear them all on female vocal recorded at Abbey Road Studio 3. Who knows... The Beatles might have used some of these compressors in their heyday. Audio and video Multimedia Set™. Four Classic Compressors Compared on Female Vocal
Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
The Neumann U87 is the world's most popular microphone - certainly the most desired. Find out exactly what it's like to get your hands on one and use it to its full potential in Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone Hands On: The Neumann U87 Large-Diaphragm Condenser Microphone
The Craig Neil Microphone Test at Abbey Road Studio 2
The Craig Neil Microphone Test at Abbey Road Studio 2
Ten great microphones tested in this audio and video Multimedia Set. Includes the AEA A440 active ribbon microphone, AEA R84 ribbon, STC (Coles) 4038 ribbon, RCA 44-BX vintage ribbon, Beyerdynamic M160 ribbon, Neumann U47 vintage tube, AKG C12 vintage tube, Bruel & Kjaer 4011 capacitor, Blue Baby Bottle capacitor, Violet Design Flamingo vacuum tube. The Craig Neil Microphone Test at Abbey Road Studio 2
The Hidden Compressor
The Hidden Compressor
"The Hidden Compressor" is an advanced e-learning text, so you need to know all the basics of compression already. "The Hidden Compressor" covers advanced techniques that have not been seen explained by anyone else in print or on the web. If you want to get more out of your compressor, you'll find you didn't know that the compressor you have already could do so much. "The Hidden Compressor" includes information on recommended compressors at all price levels, from home studio to pro. The Hidden Compressor
An Introduction to Live Sound Monitoring
An Introduction to Live Sound Monitoring
If you play in a band, or work in live sound, you need to understand stage monitoring. There's nothing that makes more difference to getting a good performance than getting the monitors right. It isn't easy, but this e-Learning Module shows you how! For your house of worship too. An Introduction to Live Sound Monitoring