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What is the nastiest equipment you have ever had?

The range of great home recording equipment available these days is truly superb. But occasionally we all buy something that just wasn't worth the money. What's your experience?

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The range of great home recording equipment available these days is truly superb. But occasionally we all buy something that just wasn't worth the money. What's your experience?

I've used a lot of audio equipment in my time and I think it's fair to say that since around the mid-1980s, the start of the home recording studio boom, we've had a lot to enjoy.

My first encounter with poor quality home recording equipment (I've seen plenty of pro equipment that was less than a pleasure to use, but that's a different story) was a synchronizer that just didn't work. I don't think that model ever did and I have never heard of the company since.

After that I can think of a MIDI sequencer that worked fine as long as you didn't put too many notes into it, like enough for a whole song. It worked well after the software update that came along around a year after I bought it.

But truly the worst buy I ever made was a set of drum mic clamps, of the type that fits onto the rim of the drum.

I had just bought the drum set with the idea of practising hard and becoming a master drummer in my spare time.

What I actually achieved was an understanding of just how hard it is to play the drums. I find the violin much easier. Still, it's enjoyable to thrash them every now and then.

But back to the clamps. Having a set of mics on boom stands around a drum kit in a small space is very messy. These clamps claimed to be able to take a Shure SM57 each, so I bought four of them, one for the snare and one for each of the three toms.

Firstly, they were difficult to fit firmly. Secondly, the first one broke around one month in. All four had gone by the time I had learned a reasonable four on the floor. Getting your money back for a product that doesn't work is fine, but you don't get anything for the time and effort spent.

Another nasty piece of equipment was the Mark II version of a reverb unit of which I already had the Mark I. The Mk I was a great little unit with a really rich and characterful sound. The Mk II was supposedly an improvement. Yes, an improvement in the wrong direction. I imagine that the Mk I was actually too good for its place in the manufacturer's range of products, so from their point of view it needed downgrading.

Over all my years in home recording however, I don't thing my experiences are really all that bad.

But I have the feeling that there are many more interesting tales around.

Please tell us your worst. I didn't identify the manufacturers of my nasty equipment on the grounds that it was all a long time ago, and they know where I live!

But you can be anonymous if you wish. So go on... tell us your horror stories of nasty equipment. Discussion below...

Publication date Wednesday January 27, 2010

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Discussion on this article's topic...

 

Karel Post, Grou, The Netherlands
I'd say in MIDI years it was a TR505 drum machine that was completely useless in the studio.
It never sounded right and until i got my Linndrum in it's later years i really got my sound to a pro level.
Also quite recently it was a Korg MS2000R i thought was quite nice for a vocoder effects.... naaaaah... i never used it and sold it for a few hundred bucks.... drank beer with my friends, and should have done that before buying that crap excuse for a synth.

Thursday February 18, 2010

Eviltobz, Brighton, UK
I grabbed a cheapo m-audio usb audio interface, mobilepre usb I think was the model name, to go with the first release of Apple's Garageband a goodly few years back. The unit seemed ok, for a few minutes, but gradually the latency grew and grew until it was unplugged and plugged back in. Obviously we have to expect a little latency in the digital environment, but it went from imperceptible to a second or so, probably longer given the chance.

I'm pretty sure that it was ultimately a problem with my specific unit rather than the model as a whole, but due to being lazy between getting it, and doing anything remotely useful with it, the guarantee period had run out, so I didn't get the chance to swap it over. That triggered a bit of a run on buying audio interfaces, all of which had various niggles that made me move on, but nothing that major. I ended up with a Motu 8 pre which did a fantastic job of ending my audio interface addiction by being utterly awesome in all respects that I can tell.

Monday January 25, 2010

Rob, Nottingham, UK
Focusrite Saffire Pro 40, without a doubt. I bought one of these to use with a new Octopre to give me 16 channels of input, only to discover while the Octopre could be wordclocked, the Saffire had no wordclock output, so it always had to run as slave, but when doing so it had really bad jitter! Used on its own, unit would lose audio output intermittently, requiring a complete restart, or suffer increasing audio degradation.
I should have learnt my lesson after using one of the original units - every driver update fixed one problem and caused another. No matter how much I love the idea of the focusrite sound, these units were just to cheap to be any good. Never again ...

Monday January 25, 2010

 


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