You are running tons of plug-ins and your computer is running out of steam. How can you lighten the load AND use as many plug-ins as you like?
Follow RecordProducer.com on Twitter...
Every track you add to your recording, and every plug-in you use, consumes a little more of your computer's processing power. Unless you are a really light user with low ambitions for your project, you will often find that you are running up against the limit of what your computer can do. It just can't calculate fast enough.
Some plug-ins are relatively 'cheap' to run, in the sense that they don't consume much processing power.
Other plug-ins are 'expensive', either because they work very hard or because they have been poorly designed in that respect.
It's difficult to make a mix using nothing but cheap plug-ins though, particularly if you want great reverb.
So what can you do?
Well, you could buy a faster computer. A faster computer is always a better computer, although clearly this is going to be a costly option.
You could increase the buffer size. That's a piece of memory that is held in reserve for the computer to do its calculations. But you might still be recording new tracks, and increasing the buffer size increases the latency, or delay, between input and output. Or you might have increased the buffer size all the way already.
There is one solution however that costs nothing and is almost limitless in scope, and that is to 'freeze' tracks that have plug-ins inserted.
This means that the track is re-recorded, or bounced, back to disk, with all its plug-in effects applied. So the result is a track that sounds like you want to hear it, but it doesn't need plug-ins because the effects have been embedded into the audio.
One drawback of this is that once you have frozen a track, you can't make any adjustments to the plug-ins other than by going back and unfreezing it. Even so, this is a price worth paying to get the degree of flexibility you need.
Some DAW softwares make freezing and unfreezing very easy. This is to be commended; all DAWs should be this way.
However some DAW softwares are surprisingly lacking a freeze feature. All is not lost however as you can do it another way...
1. Route the output of the track to be frozen to an unused bus.
2. Make a new track and set its input to the same bus. Set it to record-ready.
3. Hit record and play the track through.
Simple! You now have your frozen track. You can deactivate the first track, but it can remain in the session if you need to go back to it.
In summary, when computers are ten times more powerful than they are now, freezing won't be necessary and we will be glad of that, Until then however, freezing is an important technique for unleashing virtually all the power you can handle.
Publication date Friday May 01, 2009
Discussion on this article's topic...
Wednesday April 21, 2010
Saturday April 10, 2010
Sunday March 28, 2010
UPDATE - Posting of comments has been disabled. RecordProducer.com has been targeted by a botnet posting spam comments. The facility to post comments will return when this problem has been resolved.
We welcome your addition to the discussion on the topic of this article. If you feel that the article is inaccurate in any way, please let us know by e-mail at . We read all messages sent to this address but we cannot promise a reply.
![]() |
An RP reader successfully lands an internship in a major recording studio. But the kind of work he is asked to do isn't quite what he expected... Read more... |
![]() |
This YouTube video has a slight problem with the sound - the gain is set far too high and the sound is horribly clipped. Read more... |
![]() |
Copyright in music has allowed songwriters and musicians to make a living for decades. But would they now be better off without it? Read more... |
![]() |
If you have a studio business, doubtless you want it to continue for decades to come. But if you don't understand the client life cycle then you'll soon be in trouble. Read more... |
![]() |
Whoever invented this stupid terminology should be force fed with Brussels sprouts for a fortnight. Even the 'experts' can get it wrong. Read more... |
![]() |
A reader asks whether it is allowable to pan low frequency instruments. If not, what would the possible penalty be? Read more... |
![]() |
You don't need years of music theory training to write for an orchestra. If the sounds are in your head, technology can get them out. Read more... |
![]() |
Amplifiers can be either symmetrical or asymmetrical. A symmetrical amplifier has both positive and negative power supply rails and the signal rises and falls centered on the 0 volts point exactly in between. An asymmetrical amplifier has only one power supply rail and the signal is biased to a voltage midway between zero volts and the power supply voltage... Read more... |
![]() |
There's a new software around that could be the savior of the music industry. And you can get your hands on some amazing original multitrack recordings too! Read more... |
![]() |
An RP reader wishes to improve the sound he gets from his microphone. Is this possible, or does he need a better mic? Read more... |
![]() |
An RP reader has worked out an interesting way of connecting his compressor. Will it work? Or is something going to blow? Read more... |
![]() |
David Mellor argues that knowing how to position a microphone can make a far bigger difference to the quality of your work than which microphone you choose. Read more... |
![]() |
While the iPad might be something less than a computer, it is definitely something more than many of the other computer-like devices in our lives. Read more... |
![]() |
Glyn Johns is one of the UK’s most respected producers and engineers and has successfully made his mark on the recording of drums, which is arguably the most difficult task in all sound engineering. Read more... |
![]() |
Do you always connect your effects pedals between your guitar and amplifier. Wow, that's just so retro! Read more... |
![]() |
If your microphone sizzles like a frying pan full of eggs, bacon and sausages, clearly there is a problem to be solved. Read more... |
![]() |
Where do you make your production decisions? In the studio? No, there's a better place than that, somewhere you can get some peace and quiet... Read more... |
![]() |
An RP reader asks whether he can record on his workstation and then export tracks to his computer for editing and mixing. Why would he want to do that...? Read more... |
![]() |
Vintage Neumann M49 microphones don't often come up for sale, but there's one on eBay right now. And there are lots of lovely photographs (drool!)... Read more... |
![]() |
It's a topic of endless debate, but really there is no way a stream of digits can beat the real vinyl experience. Read more... |